Gerda Taro

Brief Summary

"Gerda Taro" by Jane Rogoyska is an illuminating biography of Gerda Taro, the first female photojournalist to die in combat. Set against the backdrop of 1934 Paris, the book explores the life of Taro, originally Gerda Pohorylles, and her profound relationship with fellow photographer André Friedmann, who would later reinvent himself as Robert Capa. Rogoyska meticulously traces Taro's journey as she reinvents herself before her untimely death during the Spanish Civil War at the age of 26. The narrative delves into how Taro, initially a mere footnote in Capa's story, eventually gained recognition for her significant contributions to photojournalism, particularly after the discovery of the "Mexican suitcase" containing many of her lost works.

Main Themes and Topics

The book centers around themes of identity and reinvention, depicting how Taro and Friedmann, both political exiles, successfully transformed themselves into significant figures in the world of photography. Another prominent theme is the exploration of gender roles, as Taro's story confronts the challenges of being a woman in a male-dominated profession. The book also addresses the complexities of artistic ownership, as evidenced by the "Mexican suitcase" revelation that many iconic images attributed to Capa were actually Taro's. Lastly, the narrative encompasses themes of love, loss, and the political turmoil of the era, providing a poignant look at the backdrop of the Spanish Civil War.

Writing Style and Tone

Jane Rogoyska employs a detailed and engaging narrative style that draws readers into the historical period while providing a personal glimpse into Taro's life. The tone is consistently respectful and empathetic, offering a balanced portrayal of Taro as both an artist and a person. Rogoyska's writing is scholarly yet accessible, making complex historical and biographical details understandable for a broad audience. Her vivid descriptions and meticulous research bring the era and the characters vividly to life, inviting readers to appreciate Taro's contributions to photojournalism.