Iranian Sacred Defence Cinema

Brief Summary

Iranian Sacred Defence Cinema by Pedram Khosronejad presents a comprehensive exploration of the unique genre of Iranian war films that emerged following the Iran-Iraq war. The book delves into over 200 Iranian feature films focused on the war, referred to as "Sacred Defence cinema." This genre connects the war to religious beliefs and has played a crucial role in the cultural storytelling within Iran. The author compiles insights from various international scholars, making this seminal anthology an essential resource for understanding the role of cinema in preserving the narratives of martyrdom and faith within the context of Iran's national trauma.

Main Themes and Topics

The book's main focus is the genre of Sacred Defence cinema, which aligns military themes with religious and ideological elements. It examines how these films function as a mechanism for the Islamic state to maintain and communicate the narratives of martyrdom and national identity. The text touches on the broader implications of cinema in culturally and politically charged settings, exploring the intersection of film with themes of faith, politics, and identity in post-revolutionary Iran. Furthermore, it investigates how these narratives address collective memory and national trauma, providing a deeper understanding of the socio-political landscape in Iran during and after the war.

Criticism

Some readers might find the book's academic tone and detailed analysis to be dense or challenging. The subject matter, while rich and intricate, requires a level of familiarity with Iranian cinema and history that might not resonate with casual readers or those less acquainted with the region's cultural dynamics. However, for scholars or those with a specific interest in Middle Eastern cinema or Iranian culture, this complexity is often regarded as a strength.

Writing Style and Tone

Khosronejad's writing style is analytical and scholarly, providing in-depth examinations of varied films and directors. The tone is authoritative, reflecting the extensive research and academic rigor underlying the book. The inclusion of contributions from multiple scholars adds a diverse range of perspectives, enriching the narrative and providing comprehensive insights into Sacred Defence cinema. This meticulous approach serves the scholarly audience well, though it may be more demanding for general readers.