Making A Killing

Brief Summary

Making A Killing by James Ashcroft is a gripping autobiographical account of his time as a private security contractor in Iraq. In September 2003, Ashcroft, a former British Infantry Captain, arrives in war-torn Baghdad during a period when the conflict was intensifying and security privatisation was on the rise. The book is an action-packed narrative that takes readers through the dangers and challenges faced by Ashcroft and his team. He presents a vivid portrayal of life as a 'gun for hire', offering a raw and unsanitised perspective on the war in Iraq and its aftermath.

Main Themes and Topics

The book primarily explores the themes of war, privatisation of military forces, and the psychological impacts of conflict. Ashcroft delves into the complexities of being a mercenary in a war where private soldiers outnumber official military forces. Through his experiences, the book examines the moral and ethical dilemmas faced by those in the private security sector. Additionally, it provides an in-depth look at the chaos and unpredictability of life in a conflict zone, emphasizing the constant threats and the adrenalin-fueled existence that defines a security contractor's life.

Writing Style and Tone

James Ashcroft adopts a direct and unflinching writing style, which effectively conveys the intensity and immediacy of the situations he describes. The tone of the book is gritty and realistic, pulling no punches in its depiction of violence and the harsh realities of war. Ashcroft's military background is evident in his detailed accounts of tactical operations and his straightforward, no-nonsense narrative approach. This style immerses the reader in the high-stakes environment of Iraq, making it a compelling read for those interested in military non-fiction.

Criticism

Some readers might find Making A Killing to be overly focused on the action and tactical details, which can sometimes overshadow deeper reflections on the ethical implications of privatized warfare. While the book offers a vivid first-hand account of life as a security contractor, it may not provide as much insight into the broader geopolitical context of the Iraq War. Additionally, the relentless pace and graphic depictions of violence might be overwhelming for some audiences who might prefer a more nuanced exploration of the subject. However, for readers seeking a raw and honest portrayal of one man's experience in Iraq, these elements contribute to the book's authenticity and intensity.