The Silents Go to War

Brief Summary

The Silents Go to War by Anita R. Appelbaum delves into the fascinating world of silent propaganda films during the tumultuous era of the First World War. Focusing on how these films shaped American public opinion towards the German "Huns," the book surveys a wide array of genres. It covers pro-preparedness films, pacifist films, and the more bizarre "kill-the-kaiser" comedies, as well as thoughtful films about war trauma and patriotic documentaries. Appelbaum provides readers with comprehensive discussions of these films, including detailed synopses, casts, intriguing back stories, and critical reviews. The book highlights unusual tales and extraordinary plots, from villainous Germans depicted by characters like Erich von Stroheim to noble French girls and flamboyant American flyers.

Main Themes and Topics

One of the central themes of The Silents Go to War is the exploration of how silent films became a powerful tool for propaganda during World War I. These films not only offered escapism but also functioned as a medium to influence public sentiment and national attitudes towards the war. Through various genres, including comedic, dramatic, and documentary films, Appelbaum illustrates how filmmakers crafted narratives that either supported or criticized the war effort. Another significant theme is the portrayal and stereotyping of Germans as villains, epitomized by characters like the vicious "Huns" and the notorious Kaiser.

Writing Style and Tone

Anita R. Appelbaum employs a scholarly yet engaging writing style in The Silents Go to War. Her tone is informative and analytical, aimed at providing readers with a comprehensive understanding of the subject matter. The book is detailed and well-researched, reflecting Appelbaum's expertise in film history. She effectively uses historical context to enrich the narrative, making it accessible to both film enthusiasts and scholars alike.

Criticism

While The Silents Go to War is praised for its in-depth analysis and comprehensive coverage of First World War silent films, some readers might find the level of detail overwhelming. The extensive discussion of film synopses and critical reviews, though informative, could potentially slow down the reading experience for those looking for a more narrative-driven exploration. Additionally, the book's academic tone may not appeal to casual readers seeking a lighter, more anecdotal account of film history.