
The Diezmo
by Rick Bass
Popularity
3.11 / 5
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The Diezmo by Rick Bass
Details
War:
Mexican-American War
Perspective:
Infantry
Biography:
No
Region:
North America
Page Count:
206
Published Date:
2005
ISBN13:
9780395926178
Review of The Diezmo by Rick Bass
"The Diezmo" by Rick Bass is a historical novel grounded in a real and largely forgotten episode from Texas history: the Mier Expedition of 1842 and the subsequent decimation of captured Texan soldiers by Mexican forces. Bass, better known for his nature writing and environmental essays, turns his attention here to a darker chapter of frontier history, crafting a narrative that is both a coming-of-age story and a meditation on violence, memory, and the costs of youthful idealism.
The novel is narrated by James Alexander Robertson, an elderly man looking back on his youth as a seventeen-year-old volunteer who joined a group of Texan soldiers on an ill-fated raid into Mexico. What begins as an adventure driven by restlessness and the promise of glory quickly unravels into disaster. Captured by Mexican forces, the surviving soldiers are marched deep into Mexico, and after an escape attempt fails, they are subjected to the diezmo, a brutal practice in which one in ten prisoners is selected by lottery to be executed. The device of an aged narrator recalling events from decades earlier gives the book a reflective, elegiac tone, allowing Bass to explore not just what happened, but how the memory of such events shapes an entire lifetime.
Bass's prose is deliberate and often lyrical, reflecting his background as a nature writer even as he depicts scenes of hardship and brutality. The Texas and Mexican landscapes are rendered with careful attention, and the physical world becomes almost a character in itself, indifferent to the suffering of the men who cross it. This attentiveness to setting grounds the novel's more harrowing scenes, preventing them from feeling gratuitous while still conveying their weight. The pacing is unhurried in places, particularly during the early sections establishing Robertson's restless youth, but this slower build serves to heighten the contrast with the later chapters, where events accelerate toward tragedy.
One of the novel's central strengths lies in its refusal to romanticize war or frontier violence. Robertson and his companions are not depicted as heroic figures marching toward a noble cause; rather, they are young, often reckless men swept up in circumstances larger than themselves, driven by boredom, bravado, and a vague hunger for purpose. Bass is careful to show the human cost of their choices, both for the soldiers themselves and for the Mexican civilians and soldiers they encounter. The novel resists easy moralizing, instead presenting a nuanced portrait of a conflict in which suffering was distributed unevenly and often arbitrarily, as symbolized by the diezmo itself, a lottery of survival that strips away any illusion of fairness or justice in war.
The character of Robertson, particularly in his older incarnation, adds emotional depth to the story. His voice carries the weariness of someone who has spent a lifetime processing trauma, and his reflections on memory, guilt, and the randomness of survival lend the novel a philosophical undercurrent. Rather than presenting the events of his youth as a straightforward adventure story, Robertson frames them as a formative wound, one that has shaped his understanding of mortality and moral responsibility.
Some readers may find the novel's structure and pacing challenging, particularly given its blend of introspective narration and historical detail. Those expecting a fast-paced adventure novel may be surprised by the more contemplative sections, though these passages are essential to the book's larger themes. Bass's decision to root the novel in a specific historical event also means that readers unfamiliar with the Mier Expedition may benefit from some outside context, though the novel provides enough detail to follow the events without prior knowledge.
Overall, "The Diezmo" is a thoughtful and often somber exploration of a little-known historical episode, distinguished by Bass's evocative prose and his refusal to simplify the moral complexities of war. It is less an action-driven historical novel than a meditation on memory, chance, and the long shadow cast by violence on those who survive it. For readers interested in Texas history or in literary fiction that grapples seriously with the human costs of conflict, the novel offers a rewarding, if sobering, reading experience.







