
War Paint
by Brian Foss
"Art, War, State and Identity in Britain, 1939-1945"
Popularity
2.73 / 5
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War Paint by Brian Foss
Details
War:
World War II
Perspective:
Researcher
True Story:
Yes
Biography:
No
Region:
Europe
Page Count:
280
Published Date:
2007
ISBN13:
9780300108903
Description
Brief Summary
"War Paint" by Brian Foss is a comprehensive exploration of British war art during World War II. The book sheds light on the intricate dynamics between art, state patronage, and public engagement during a turbulent period. Focusing on Sir Kenneth Clark's influential War Artists' Advisory Committee, Foss delves into various topics such as censorship, artists' financial conditions, and the portrayal of women as war workers. Through careful archival research and a wealth of illustrations, the book offers an unparalleled perspective on this pivotal era of British art and its role in shaping national identity.
Main Themes and Topics
The main themes of "War Paint" revolve around the relationship between art and national identity during wartime. Foss examines how wartime experiences and challenges influenced the trajectory of British Modernism. The book also explores the role of state patronage and the public's interest in art during times of crisis. Key topics include the impact of censorship on artistic expression, the contributions of war art to notions of Britishness, and the financial struggles faced by artists during this period.
Writing Style and Tone
Brian Foss's writing in "War Paint" is characterized by its analytical depth and clarity. The tone is both scholarly and accessible, making complex historical and artistic concepts understandable to a wide audience. Foss's detailed archival research is presented in a lively manner, ensuring that the book remains engaging and insightful throughout. This balance between academic rigor and readability contributes significantly to the book's appeal.
Criticism
While "War Paint" has been praised for its comprehensive research and insightful analysis, some readers might find the book's academic focus dense. The extensive detail, particularly the emphasis on archival references, might be overwhelming for those seeking a more general overview of British wartime art. Nonetheless, for readers interested in an in-depth study, the book offers an invaluable resource.









